The paper then discusses the use of the term avaivartikacakra in Mahāyāna discourse with special attention to its occurence in the Saddharmapuṇḍarīka (Lotus sūtra).

We assume that Frank X Hou and Ronnie Pierce were among three dwellers or residents ever lived at this place. chen shu fen pictures to create chen shu fen ecards, custom profiles, blogs, wall posts, and chen shu fen scrapbooks, page 1 of 20. Centuries later, for photographers such as Wang Mengshu and Chen Wanli. Current address for Shu-fen is 1808 14th Avn S, Seattle, WA 98144-4203. The paper examines the development and formation of avaivartika as a status marking term in Mahāyāna sūtras and explains its rhetorical use among bodhisattva authorial communities. Or, especially because photography as an image-making technology that originated. This paper investigates avaivartika (along with its equivalents) and avaivartikacakra in a select number of self-proclaimed Mahāyāna sūtras. abibacchi )1) has great importance in contemporary strands of Mahåyåna Buddhism found in China, Japan, and Tibet. futai, “non-regression” or transliterated from the Indic as 阿惟越致 a wei ye zhi, Jpn. The concept of avaivartika (generally translated in Chinese as 不退bu tui, Jpn. The term generally signifies a point reached in the career of a bodhisattva after which there can be no turning back from the attainment of full Buddhahood.

In most instances the term and its related forms designate a certain status of attainment on the way to full Buddhahood. The term occurs in a great number of sūtras in a variety of different forms within various contexts. The concept of the irreversible (avaivartika) bodhisattva is considered to be one of the more intriguing subjects in the historical development of Mahāyāna Buddhism due to the concept’s prevalence, yet obscure meaning, in many Mahāyāna sūtras.

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